Jackson #1 - 'Randy Rhoads EX Professional'

Another iconic shape, I've wanted one of these ever since I saw Dave Mustaine playing one.

This is one of the early 90s 'Professional' Japanese made Jacksons which have a reputation for being fantastic quality instruments. So much so that they ate into sales of their premium models.

It's only one of the more basic models but it's nonetheless lovely to play. You can tell this is from the same factory as my Washburn KC90, the neck feels identical and it has the same fret markers with the double one at the 12th fret slightly closer together than usual.

The control layout is slightly unusual, most RRs are 'front loaded' with a scratchplate, Gibson style toggle and volume/tone controls. This is 'rear loaded' with no scratchplate, a Fender style switch and a single volume control. I deliberately picked this model because I like this minimal look. If I could have got a single pickup model without shelling out for an RR24 or LTD Alexi I would.

It's had a hard life. The points are badly chipped and it's been refinished in satin black with a spray can. When I got it the electrics were crummy as hell and the pickups rusty. So I rewired it and stuck in some Seymour Duncan blackouts.

It is now very very metal, even more metal than it was before.

It is a right pain in the arse to play sat down though. Unlike a conventional V I find it almost impossible to balance and the jack plug sticks in your leg.

Epiphone #2 - 'Goth Explorer'

This definitely falls into the 'project' category. I bought this for a pittance from an enthusiastic Metallica fan who had painted some Pushead-esque stuff on it then lacquered over the top. There's even a Metallica logo on the headstock.

Which wouldn't be so bad if he hadn't made a godawful job of it. The painting is an ill-defined mess and the logo looks like it's been cut out of a magazine then stuck on. The lacquer is all thick, blobby and seems to have reacted with the original finish so it's bubbling up. It's even all over the scratchplate.

It came as a pile of bits so I stuck in some Kent Armstrong Super Distortion pickups I had kicking around and set it up. It plays quite nicely even if it does look like shite. I really ought to do something with it, but there's always another project to fiddle with.

Dean #1 - 'Baby ML Dean from Hell'

AKA piece of cheap Chinese tat #1

I had been discussing with a friend which 'iconic' guitars I'd like to own a replica of and the Dean from Hell was one of the obvious ones. I'm not a Dimebag fanboy but I did really like the Cowboys from Hell era Pantera. I lost interest around Great Southern Trendkill.

There was no way I was going to pay what Dean were asking new for the official full size replica, even a Chinese one, but this came up very cheaply on eBay and I thought it'd be a bit of fun. It's a 3/4 size ML body but with a standard scale length and decked out as a DFH replica.

Except as it came, admittedly secondhand, it was shit. The neck was bowed and the pickups awful. I started tinkering with it and found the truss rod completely loose in the neck. So I tightened it up and fixed the bow.

Even with this done the intonation and action were all over the place and with a bit of setup I've improved it. However the bridge simply doesn't offer enough adjustment to get it spot on. It seems to be forced forwards by harsh angle of the strings as they go into the body ferrules, perhaps down to the fact it needs to be set quite high. I think I may have to buy a 'Nashville' bridge to work around this this. Although tighter fitting bridge studs may help too, it's all rather sloppy.

Speaking of the ferrules, it was missing one when I got it. The seller mentioned this so I was expecting it. The reason it was missing is that Dean didn't bother to fix them securely and it must have gone pingfuckit when restringing. Thanks Dean. They'd also used the same style of 'cup' ferrule for both the top and bottom of the body, which is a bit rubbish as the string presses into the side of the ferrule and body of the guitar as it emerges. I managed to get some suitable replacement ferrules from CH Guitars. When I restrung it I glued the ferrules all in and turned the top ferrules around so the strings emerged cleanly from the hole in the middle, keeping it away from the body and at a very slightly shallower angle to the bridge.

Next up, even if the pickups were OK, and they're not, they simply didn't fit the replica theme. They were two bog standard black open coil humbuckers. To be a Dean from Hell it has to have a zebra pickup at the neck and a Bill Lawrence style blade one at the bridge.

I've now replaced the original pickups with a GFS zebra neck and Axesrus blade at the bridge. Not only do they sound better, even though both were cheap as chips, but it now looks more the part. It did have a Bill Lawrence USA L500XL at the bridge for a while, which is the right thing for a DFH, but that's a stupid size. The special surround didn't cover the route in the body and in a standard surround the L500XL flapped about.

The lightning bolt design is a nasty decal but from a distance it looks kind of OK. It now plays averagely for a cheap guitar instead of barely at all. The neck has a pleasant satin finish and some nice grain but the frets are a tad uneven and sharp at the edges. I may use this to practice working on fretboards.

Unless Dean have improved Baby MLs since this one was made (2007) I wouldn't recommend buying one unless you're willing to spend some time sorting it out. There are much much better budget guitars around. Luckily I positively enjoy tinkering with guitars and see things like this as a challenge.


Update: I've just played this for about 90 minutes and that bridge pickup is great, especially since it was only £10 because it was a second. I reckon it's better than the Bill Lawrence.

Goodies

I bought a small batch of goodies from Axesrus this week as some of my projects need odd bits.


  • Pickup covers, locking nut clamps and tremolo arm for the RR2V 
  • A B2 tune-o-matic bridge for the Indie Target Les Paul, as it's slightly narrower than the usual metric item. The one on there isn't a great fit, I'm hoping this will be better.
  • A tremolo arm for the G2V
  • A Dimebucker-esque rail pickup for the Baby Dean. It's actually got a Bill Lawrence USA L500XL in there now which is more authentic but that's a stupid size. The special BL USA ring doesn't fit the body but if you put the L500XL in a normal ring there are large gaps round it.
  • Some strap button felts.

Epiphone #3 - '58 reissue Korina Explorer'

Well I just had to have one to match the Flying V.

The grain is not quite as nice and the body join is really obvious, but it's still a very pretty guitar. I think it's a slightly later one than the V so probably of Chinese origin rather than Korean.

With Korina being light it's not the giant millstone that my old Ibanez was, but it's still a big old lump.

Vintage #2 - 'AV6S'

Another Vintage, another guitar I didn't gel with.

I wanted to try a trad strat as I'd never owned one. This was close but again I just didn't get on with it. I also found the mismatched 'aged' plastic parts really jarred. You've got a mint green scratchplate with yellowed pickups covers, knobs and switch tip. This is a pretty shallow thing to be annoyed by but I'm easily put off.

I also thought the slightly updated body shape and scratchplate design looked wrong. Sad I know.

So I bought an Indie S type, which is 100% trad, and sold this on.

Indie 2 : Vintage 0